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A Review of Barbara Hurd’s Listening to the Savage: River Notes and Half-Heard Melodies

I listened, to hear things as they are. So many amazing books out there. Rivers lead to the ocean. Listen closely.

BREVITY's Nonfiction Blog

41zGDljwFgL._SX320_BO1,204,203,200_.jpgBy Alexis Paige

About half-way through Barbara Hurd’s latest essay collection, Listening to the Savage: River Notes and Half-Heard Melodies, I find myself splayed across a granite boulder in the middle of the small river that runs through my backyard in rural Vermont. Obviously, I am listening for crayfish. An avid river watcher, I confess that until reading this beautiful, brilliant book, I had not considered the role of river listener, or river monitor as Hurd calls herself, pointing out that monitor derives from the Latin monere, which means to warn or advise—even to remind or teach, according to my old Latin dictionary. From my back porch, I often eye the river’s movements, its patterns, its shimmer and light; I watch for deer, wild turkeys, ospreys, foxes, bald eagles, and the occasional Great Blue Heron. Recently, in the shallows near the yard, a few kids appeared, pants hiked…

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