By Jan Priddy
The sound crew working on a film is careful to record ambient sound—the faint traces of traffic and wind and birds or elevators and footsteps and air conditioners—the barely audible noises in the background of any location. Even a very quiet place is not silent. Later, if a line of dialogue must be rerecorded or the interruption of a plane roaring overhead corrected, layering in ambient sound is necessary to ensure continuity for the filmgoer. Ambient sound is the kind of stuff we notice only when it is missing.
Most of us have done it, at least in an early draft. We piece together our bits and pieces and want to call them finished before we fully understand the story we are telling. We do not know enough to tell the truth. Sometimes that is the result of inadequate research. However we define nonfiction, creativity should not…
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