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Two People and a Baby: On Accessibility and Literary Publishing

I’m glad to see this on Brevity and wanted to share it on my blog. This writer is correct. The literary community, though a community of words (which are written) are still a part of the artistic world, still writers come from a mostly visual place. I write to create a world with words, but inside my own head, I am seeing everything, as I am a visual person still too. The sight I once had just doesn’t vanish completely, but stays hidden somewhere in the recesses of my brain. As such, this goes on all while I am seeing nothing with my eyes and so I turned to words, words which are accessible with technology and braille. We just need to work together, with the sighted world of writing and everything else, to make things more equal and level for all.

BREVITY's Nonfiction Blog

4293161316_4739d166fb_b Two People and a Baby

By Bridgit Kuenning-Pollpeter

My fingers manipulate keys, navigating Facebook. Arrowing down, the cursor lands on a picture, and I hear, “Two people and a Baby.” Great, I think, no context. I continue to arrow down, finding another picture. This time, the electronic buzz of my computer’s voice says, “Man in sunglasses.” Again, zero context for me.

Fifteen years ago, I became visually impaired. I transferred my visual understanding of the world into a non-visual medium. To use a computer, I now use a program called JAWS, which is a text-to-speech screenreader. It reads whatever the cursor highlights, allowing me to still do email, Google-search, write and, of course, shop! However, if pictures and graphics are not properly captioned, I have no clue what they are.

Recently, a writer friend spoke about the aesthetic appeal of a literary journal she stumbled upon. It occurred to me…

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