The Elsewhere Region, #SoCS

The group ranged from ages twenty to seventy years. Mention of a CBC radio program about a battle of the generations, baby boomers vs the millennials. This is a place to feel safe, a non-judgment zone, but one

view

won’t necessarily be the same as any other in this room. Age and generation gap, these are just two reasons why.

As with life, in all areas, no matter which generation we’re in, out in the wider world there is plenty of judgment. This world is full of it, which is why this room serves such a useful purpose. It’s not easy putting oneself out there. Reading back to the group helps immeasurably.

Social awkwardness threatens to pull down into the depths of an abyss of social anxiety. It taunts and teases, trying to usher its person away and keep up streams of negative talk. You may have guessed it’s me, that person.

These views and voices echo around inside an otherwise sensible brain.

One viewpoint, in this room, is just as valid as any other. The people gathered around this conference table, in a library, in a town many have heard of, only by its famous shared name, one which any baby boomer should know well enough.

It’s important to listen to the poems of the baby boomer, as well as the somewhat hastily recited stories of the opposite generation, seated across the table. Stories are read, yes, but before, during, and after the stories, there are viewpoints to absorb. There are multiple lives lived and experiences of hardship or hard work or hardly anyone to listen at all. It all comes back to the writing here though. The listening and the writing.

Writing is where view takes shape, in this scenario, as story. It is disguised by made-up characters and varied storytelling styles, but the views are there, if you take the time to look for them. When is a story just a story anyway?

I listen to so many viewpoints in the media and I then repeat to myself how vital it has been for me to take a break this week. On the world stage, there are just too many views to ever possibly take any of them seriously, when often they feel utterly ridiculous. So hard to believe you’re hearing what your ears and your brain find they have to work with.

But then there’s that elsewhere region, where the ridiculous is encouraged, if not in made-up rhetoric than in fiction, but these days it’s sometimes hard to tell the difference either way, any way at all.

Stories need to continue to be told, in such safe places, places where I choose to return time and time again.

I can not say just how much I am learning about the actual act of writing, though each time I receive a comment from one of them I learn to look at a situation in a different way, but I am sharing a laugh and my view with the laughter and views of the other writers/readers.

I grab hold of all that tension in the form of my own social awkwardness and I turn it into the knowledge that my views are just as valid as the next person’s. I sit back while they share something of themselves, okay with the idea that I can share something of myself too.

I’m in yet one more place where my own viewpoint is likely to be miles from that of the person sitting at the other end of the table. I listen then, to that viewpoint from opposite myself, and I let it all just sink in. What brought them to the conclusions they’ve arrived at? How can I possibly hope to understand? Are we more similar than we are different?

The night before and it’s ONLY millennials here. No baby boomers to be found.

Oh, what exactly do I know of the musician I heard perform live the night before? What’s revealed through their music? Do lyrics tell the real story of that lived experience, by any stretch of the imagination? Mine stretches to find common ground, as this night I am the oldest person here, at thirty-two, most likely.

The view from this room, from this plush chair I’ve staked out for myself, as a way to avoid the unknowns of leaving its safety, will this mean the night was a lost cause? Do secret locations, first times experiencing musical shows like this, do the many bodies moving about in this tight space of a bachelor apartment, does it all help my placement in or out of the elsewhere region?

I want to open up. I start and stop and start again. Some things aren’t to be missed and the lack of regret for missing them is enough of a victory for the night, for the week. Yet, going forward I must require even more of myself.

The view from here is one of low vision, hardly any at all, which makes that social awkwardness seem, at some moments, to be insurmountable. It’s not, and there’s a way of putting it in its proper perspective, but it makes me tired. Very tired. Oh so mentally and emotionally spent.

Sometimes it makes me want to speak my truth, in one long and meandering sentence, which becomes stream of consciousness writing gone wild, with no end in sight.

If I feel that heavy social awkwardness threatening to pull me under once more, I repeat to myself all the comforting things I can, which today I’m choosing to explain by my unique position in a place I now lovingly like to call “the elsewhere region,” and I tell myself I can come back from that place or I can find peace in it, if need be.