Fiction Friday, Guest Blogs and Featured Spotlights, Shows and Events, TGIF, The Insightful Wanderer, Writing

Why Men Lie – Not What It Seems, #VIP, #BlogShareLearn, #BluSkyFriday, #LinkYourLife

“I’m sorry,” said the server, with a tap on the shoulder, “But this is a VIP lounge. Not that the two of you aren’t important or anything, but…”

Two girls had been looking for the bar, while waiting for the official author event to begin. They’d wandered through a revolving door and into a world of words.

Okay, so now what? They’d stumbled into the wrong place. What a way to begin the evening. It’s hard enough to feel like she fit in there, even though she loved it so. It’s strange to feel so at home in a place, and still feel completely out-of-place all at once.

Where had they stepped into, being excluded from, politely excused? Who were those very important persons? They did not ask. The two girls simply continued to wander. Up the stairs, where the server had directed them, to the cash bar they were looking for, just to check the prices of the drinks.

By now they were afraid of entering somewhere else they did not belong, so when they approached two closed doors, they hesitated and right back down they would go, until they noticed others going the way they’d just come. So, back up they went, feeling more than a little ridiculous.

***

She was a doctor, not a writer like her friend. She was leaving her baby girl at home, for a couple hours, at the request of her oldest friend, who had wanted someone to accompany her to a literary event.

The main event was a question and answer session with a local arts reporter and a well-known Canadian journalist. He’d been an investigative reporter for Canada’s CBC Television for many years. The girl, relatively new to the world of writing, she had no aspirations to become like him, not as a journalist. She simply liked to listen to his maritime accent and the way he told stories about a diverse array of people, places, and things.

On this night he spoke about his books, works of fiction she hadn’t known he’d written. She only thought he was a reporter and a TV personality. Her respect and admiration grew, for this man, when she learned of his fiction. She was on a continual mission to collect books and have them signed by their writers. Her collection was growing. First Carrie Snyder, then Douglas Gibson, and now Linden MacIntyre.

The talk on this night was about the question:

Does a good journalist need “fire-in-the-belly” to be good at their job?

The journalist’s answer:

No. Fire-in-the-belly could get one into trouble. It could lead to emotional reactions and lack of professionalism or the required objectivity.

Wouldn’t fire-in-the-brain be more appropriate?

He made a good point. Many in the crowd nodded in agreement. While the writer girl cringed at her least favourite word, since childhood, “belly”, the doctor thought of physical conditions that might be the cause of “fire” in the belly or the brain: appendicitis or meningitis.

The girl with the literary aspirations sat and glanced around at the other tables, full of local college and university students mostly, and wondered what she was doing there with them. Did she fit in? Did she belong there? She tried to squash her insecurities, as she listened to the murmuring and the muttering, because, maybe, she wasn’t the only one who felt that way. After all, wasn’t insecurity and self doubt not uncommon for writers?

She knew only the doctor sitting beside her, her closest childhood friend, who felt more at home in the world of science than literature, but who put her heart into the evening and gave it her best, because that’s just the sort of girl she always had been. This wasn’t the first event the writer friend had dragged the doctor along for in recent months, and it always worked out, turning into some of the memorable times they’d always been capable of having together. The doctor and her little girl had been around, as fate or life’s cruel irony would have it, but this wouldn’t last.

A professor of humanities had organized the festival, with all the authors and events, spread over the weekend, including a poetry night, lectures on creativity, and much much more. He went on to introduce the panel of other writers: political writers, comedy writers, and poets.

After the panel answered questions and promoted their work, the two girls stood up, along with everyone else. They weren’t sure where to go next, but the literary one was determined to get her next signed book.

Immediately, upon the wrapping up of the presentation, the featured authors were swarmed by people from the audience. There was no other option. And so, back down the stairs the doctor and the writer would go.

Back down in the lobby and the doctor’s resourcefulness shone through. No lack of VIP status would stop her from helping her friend.

“There’s one of the authors. HE’s right behind you. I could walk us right into him, if you want. That’s how close.”

The doctor was one-of-a-kind and made even awkward literary events fun, disarming the beginner writer, making her feel less uncomfortable, in hopes of more less uncomfortable literary events for her in the future. They got themselves a copy of one of Linden’s novels, “Why Men Lie”, and off they went, on a search for possible answers to the question.

Very soon the doctor spotted him. He had made it down and away from the throng at the stage upstairs, down into the group mingling in the museum’s lobby. The doctor waited for the opportune moment, when he was not speaking to another, and introduced her shy writer friend.

“What’s the name of the one this is for?” Linden asked this to the two lovely young women standing before him, unsure which one it might be.

“It’s Kerry, spelled K…e…r…r…y.” People couldn’t be blamed for getting it wrong, but to avoid another Ricky Martin incident, clarification was necessary. “I remember, about ten years ago, when you did a story on the whale from the Free Willy movie. Not sure if you remember.”

“Yes,” he said immediately. “I went to Iceland for that one.”

He seemed pleased that someone would remember him for that one in particular.

“Well, I love writing about marine biology specifically,” the girl spluttered. These encounters were always a little uncomfortable for her. She took her newly signed book and the two girls departed.

But, before leaving, back out the revolving door and into the still November night, the doctor home to her baby and the writer home to her books…

“There’s the professor who interviewed all the authors,” the doctor spoke, conspiratorially. “Wow. He’s shorter than I thought he would be.”

“Shorter than me?” the 5 foot 2 writer asked.

“Maybe. Let’s go see,” suggested the nearly equally short doctor. This was just the sort of crazy idea she often had, of which made spending time with this particular doctor anything but boring.

And so the doctor and the writer followed the professor, darting through the people, until the two girls and he were standing only feet from each other.

“Well…is he?” the writer asked, attempting to speak quietly enough so she wouldn’t be overheard, but she already knew the answer.

The two girls had to leave then, as their attempts to remain inconspicuous would not last long if they remained in that serious literary environment. They then took their non VIP selves out of their and did not look back. They never did find out why men lie, but then again, some questions have no tangible answers.

***

Note: The writer girl in this story is, it turns out, a VIP (visually impaired person).

And, in that VIP’s opinion, so is the doctor. After all, aren’t doctors very important, in their own right, in the work that they do, everyday?

Not to mention the importance this particular doctor has played in her writer friend’s estimation, since the two girls were ten years old. She will play an extremely important role for so many patients who count on her expertise and her compassionate care.

VIP is all relative.

Journalism fuels Linden MacIntyre’s fiction writing

For the answer to the question of why men lie, guess you’ll just have to read the book to find out.

And if you are someone who is offended by the assumption of men as lyres, Linden wrote the book.

🙂

Not me.

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Blogging, Book Reviews, Kerry's Causes, Memoir and Reflections, TToT, Writing

TToT: Words Glorious Words – Reed Running Amuck in the Reeds, #10Thankful

“But there is always a November space after the leaves have fallen when she felt it was almost indecent to intrude on the woods…for their glory terrestrial had departed and their glory celestial of spirit and purity and whiteness had not yet come upon them.”

–L.M. Montgomery

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Damn, do I love this Montgomery quote.

TEN THINGS OF THANKFUL

Not sure, but I believe this past week, here, felt more like summer than fall, but I heard few complaints.

Summer Breeze

This week has been all about nature, music, and words, the third allowing me to express my love for the first two.

Ten Things of Thankful:

For creatinine at 70 and my father to ask if it is possible for this level in the blood to be too low.

Another six month checkup behind me and my creatinine is lower than it has been in a few years.

Every time I go in to get my kidney function checked, I wonder: is this going to be the day everything falls apart?

It’s been eighteen years since I received a kidney from my father. Most days, I tell myself I can break records and I think about the huge party I’m planning to throw when I reach the twenty-year mark.

(You are all invited by the way.)

🙂

Other times, the reality hits me that, though the nurses keep reminding me nothing would happen that fast, I know I may have to go back on dialysis again, at any time, and nobody can say when and nobody can stop it.

Until that day, I keep on praying for advancements in medical science and for each six months I’m given, dialysis free.

For the reminder of the beauty of nature all around me, to remember to stop and take it in once and a while.

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My mother reminded me of this, my nephew reminded me of this, and our warmer-than-usual first-week-of-November weather reminded me of this too.

For the sound of rippling, not quite waves.

We spent an afternoon along the shore of the small lake in my town. With just the noise of a gentle ripple I let the warm breeze rustle my hair and looked out over the water.

It’s more of a subtle sound and it fit the slight breeze and the warmth of the day, a small break in the cooler fall temperatures.

For the discovery of some truly wonderful music I did not know existed.

Florence + The Machine – Where Are You Now?

For artists trying new things, doing things their own way, and making kick ass music.

For those who know you, parts of you, and what you like, even if you never would have liked something before they came along. Even as time marches onward, certain people know best the parts of you that nobody else might have been witness to.

For do-overs and the ability to still smile and find good memories, even after rough times. And for time, the best way to deal with heartbreak.

It’s not always easy, does not become so in any real linear way, but I know of no better option.

For my first week of my new writer’s group.

Words with Friends

I tried my best to write about my first experience, as a part of the group, as scary as it was at the time.

It was also exhilarating too. I wish I’d started months ago, but this group only began last January, I was told.

For the part where I was recognized, which made my first week in a group of strangers a little less overwhelming.

The woman who runs the group is a friend of a family member of my family.

This woman happens to work at the library and she knew who I was.

For the chance to talk about a favourite book of mine.

Jean Louise the Silent: My Review of “Go Set A Watchman”, Part One

This woman just happened to mention her book club the following night and what they had read. She wasn’t sure how many were going to come out in favour of Watchman, with the deep attachment to Mockingbird which exists.

Jean Louise the Silent: My Review of “Go Set A Watchman”, Part Two

When I spoke up about my love of this book, she right away invited me to join her, to be at least one person on her side, in favour of the new one.

For a festival of words and a friend who accompanied me, even if she may have been a little bored at certain moments. She made it memorable.

I only made it to the opening night reception, but perhaps next year I will attend more of the events which were put on yesterday and today.

It’s both easy and hard to be somewhere where words are what it’s all about.

I love being anywhere (whether it be critique group, book club, or festival) where writing, books, or words are the sole topic of conversation.

However, as with the reception the other night, I looked around the room and listened to the remarks made and little bits of conversation. I felt a way, perhaps, that many others felt. Everyone else here is more literary and more experienced with books than I am, whether true or not.

I’ve learned about writing, that to share and read other writers is just as wonderful as anything. I want to include a few examples, from each previous week’s TToT, at the bottom of each post I write, every single week, from now on.

GIRLIE ON THE EDGE – On autumn and the falling back of the clocks.

THE MOM CAFE – On the struggles and rewards of motherhood.

GETTING LITERAL – On the poetics of certainty.

I am moved by words, now, on a weekly basis.

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“The world is wrong. You can’t put the past behind you. It’s buried in you; it’s turned your flesh into its own cupboard.”

–Claudia Rankine

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Guest Blogs and Featured Spotlights, Shows and Events

Day in the Museum: Part One, Four Senses

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I spent this past Sunday afternoon surrounded by a lot of old things and one incredibly old book. This week I will break up my afternoon at the Stratford Perth Museum into three separate blog posts: today, Wednesday, and Friday.

The Stratford Perth Museum sits on seven acres, its present location, in a big old brick house. It is out of the town of Stratford a ways now, for the first time, when it moved away from the Stratford Festival and the flurry of excitement, to a more peaceful spot. In 2008 they felt they needed more space and made the move and the transition.

I had never heard of this museum, but I suppose I hadn’t really thought about it. I don’t spend as much time in museums as I wish I did. I think most people think of the town of Stratford for the Festival theatre, but there is a rich culture and history in the area. It felt like one however, on entering, but I tend to have my idiosyncrasies with these institutions.

I enter a world of previously owned or used things. I love the history and the mystery of these items I find myself surrounded by, but I am without the ability to appreciate these collections with my eyes. It is my other four senses (excluding taste because it really doesn’t apply here) that I’m left with.

Immediately I realize I probably won’t be able to touch these precious and often times delicate pieces. I assume, rightly from the start, that this Shakespeare folio will not be the exception. The woman who greets us confirms that for me, no doubt spotting the white cane in my hand.

I want to stress that I love history and to imagine where something has been and who may have owned or handled it in the past. I can’t explain my strange discomfort with old things, starting in my childhood and with my fear of pioneer villages on school trips.

I have been to Europe and I swore I wouldn’t miss out on anything truly memorable while there just because I was afraid of…I don’t know what (an experience for another day’s post.)

I do not see as I walk through the museum and these buildings are like libraries, in that there is a sense of hush on the place. That only leaves one more sense: smell.

Smell is such a strange thing to relay to others through words, but it fills me with so much sense memory.

Smell can be nostalgic and it can be distasteful. It can be a distraction for me, totally taking me out of the moment and away from what history and treasures I find myself surrounded by.

Our special exhibit priced tickets give us access to the entire museum and my sister locates things I could actually get a feel for by touching. I spent my time in the Shakespeare exhibit and, unable to feel anything, (I was left with a museum headache) trying to grasp in my mind and imagination, what others were seeing with their eyes.

Festival Treasures: Creating the Wild Kingdom

“The Stratford Perth Museum, in conjunction with the Stratford Festival, presents a special exhibition called Festival Treasures: Creating the Wild Kingdom, showcasing unique pieces from the festival archives.”

It’s here my sister tries to show me the props and masks for view. I feel the strange materials and plastics and she knows not to place my hand on anything made of fur. I have a reactionary reflex alive and well that takes control of my hand, but I tell myself silently to take it easy and not pull away so fast. I’m sure it still shows in my behaviour.

“This fun-filled safari explores inventive ways of bringing birds and beasts to the stage. It will feature costumes, props, design sketches, audiovisual material, documents and photographs to illustrate the process of creating pieces for festival productions of The Birds, Peter Pan, Alice Through the Looking Glass, A Midsummer Night’s Dream and many others.”

I am curious about how these items have all remained in such good conditions for so many decades, through countless performances and I speak to an Archiveist Assistant:

I work in the festival archives. I’ve worked for a long time in the festival but I only recently went to the archives, I was a stage manager before that. Stratford Festival has the largest theatrical archive in the world, devoted to one theatre.

I ask her about how these things have managed to survive for fifty or so years:

Purpose-built facility…climate-controlled atmosphere. Archival friendly tissue paper and acid-free boxes. It’s kept at the right humidity, that’s why it’s so cold in here.

How does this work with keeping all these items from past performances?

We have the advantage of having props and costumes. Most theatrical archives don’t have the room or the money.

We have all the asses heads from A Midsummer Night’s Dream, the strawberry handkerchief from Othello, the casket from Merchant of Venice

We recently celebrated the sixty-second anniversary. Back in fifty-three we’re lucky there were people that were far-sighted enough to keep things, especially because they weren’t sure there was going to be a fifty-four season or a fifty-five season, let alone two-thousand-fourteen.
We started in a tent.

How much is kept?

We take two costumes and the main props from all the productions each year.

I ask her specifically about something from Shakespeare’s time period and how that survives:

Bugs, moisture, heat…those are your biggest problems.

For four hundred years it was okay in somebody’s house. In order for it to last that long…biggest thing is moisture and sunlight…just to keep things from fading. That’s why you keep the lights down. It’s quite extraordinary.

So what is one way costumes and props are preserved over the years, in the festival?

For things like sweat and body odour…the best thing is vodka. You spray the costumes with it.

All the blood, sweat, and tears that go into that…all those performances.

This museum was once someone’s home and is now an old house, storing old things. It now houses so much from a past long gone. In Shakespeare’s case, long long gone.

Next time I will write about the reason I went to the museum in the first place: Shakespeare’s First Folio.

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